Saturday, January 3, 2015

My Growing Bolder connection!

Way back when "Running with Stilettos" was just a wee new blog and I had JUST collected a bunch of essays from the blog into a book of the same name, I was surfing the internet one night looking for something else. It was close to seven years ago, somewhere in the summer of 2008.

And while I didn't find the link that I was looking for, I came across an ad for something called "Growing Bolder," a website based in Florida that devoted itself to the message (at least as I understood it!) that instead of bemoaning the fact that we are all inevitably growing "older," we should celebrate that we can and often do grow "bolder" in our choices.

Given that I was shopping for my first motorcycle jacket at the age of fifty and had only started wearing spike heels not very long before that, you could say that I was "all in" from the start! For years I posted paragraphs and essays at the Growing Bolder site, sharing news, challenges, photos, and encouragement on a "member page" personal blog. There were ups and downs, joys and sorrows, challenges and satisfactions...and demons wrestled to the ground.

In my own literary world, I wrote three more books, and learned to enjoy speaking in front of groups of people instead of wanting to run from the room. Growing Bolder turned into a media juggernaut, expanding to radio, TV, magazine, and now a documentary. The GB website has undergone a sleek new redesign recently, and I am so very happy to note that while the "member pages" part of the site is gone, I've been folded into the official "GB blogging team." Woo hoo!!!!!

And so I expect that just as hearts expand to hold more love, my writing output will expand a bit too. I'll still be posting here at Running With Stilettos...and I'll still be adding to my "author website" as well. But come on over to check out Growing Bolder too! Not just for what I'll be writing, but for everything the website has to offer in terms of inspiration, and encouragement, and pushing one's limits, and trying new things. Because we can ALL use more of that to keep us "growing bolder" instead of "just growing older."

Monday, December 22, 2014

Elegy for a Barn

I drove past the barn for the first twelve years without seeing it. I have two reliable ways of driving to and from my office nestled in a quaint Art Deco courthouse on Lake Michigan’s shore. One takes me fifty miles, but follows straight and angular lines, more or less, delivering me to a thirty-mile stretch of interstate that goes by in a blur, nearly on auto-pilot, before disgorging me to the exit ramp.
The other route is the one I call “the back roads,” and travels a two-lane winding path up hill and down dale, shaving miles off the total but adding in time where the speed limits drop going through a series of small towns. All things being equal, the two paths take the same amount of time to get from my house to my destination.
It may seem counterintuitive, but when the weather turns bad, you will always find me crawling my way home on the back roads, where the traffic is much sparser and the large trucks nearly non-existent. An accident at night on the interstate in a blizzard nearly two decades ago, triggered by a passing semi-trailer, haunts me still.
Sometimes I take the back roads because the interstate is clogged for the summer months with orange barrels and paving equipment and other inconvenient phenomena of road construction. And yet other times I’ll take the rural route just…because it is quite lovely. Yes, the fact that it has sharp turns and S-curves and hills and valleys requires that I pay more attention as I drive. It wends its way closely past houses and barns and forests, and I am vigilant for any signs of movement of errant deer or possums or dogs or children. But the vistas and horizons are splendid, and the change of seasons unfurls like a tapestry.
There are barns and sheds and cows in abundance on this drive. Most of the barns still in use are painted the traditional red with white trim, and most of the cows are black and white Holsteins renowned for their milk production, and so I might be forgiven for assuming a certain sameness to the rural landscape.
A few years ago I began to accompany my friend once a month or so to weekend garage sales, and so my awareness of “rummage sale” and “garage sale” signs started to rise. And one day, on the way home from work, I crested a tall hill and noticed a sign in a yard on the other side of the road advertising a final moving sale. Had the yard been on the side of the road that I traveled I might have stopped, but it wasn’t, and the dog was waiting patiently for me to come home and let him out, and so I kept on driving.
Some time after that, I noticed that the house appeared completely deserted. No vehicles were parked in the driveway, no lights or other signs of life shone from the two-story frame house. I wondered what treasures I might have picked up at the yard sale had I only stopped. And I kept driving past, without any more curiosity, as the days wore on and a realtor’s sign went up by the driveway.
And then, one day I crested the hill again and happened to look to the west, and noticed the sagging barn and sturdy silo beside it, illuminated by the afternoon sun. Part of the wood-shingled roof had caved in toward the middle, and light streamed through the hole across old hay bales and wood plank walls, creating interesting shadows. And I thought “Hmmm…..”
I had recently joined the ranks of persons who own smart phones that also take decent photographs, and so my “carpe diem” spirit of photography was starting to rise. I had begun to scan the roadsides and the horizons as I drove, more alert than before to the lighting and the backgrounds and the possibilities of barns and cemeteries and groves of trees and banks of wildflowers.
And yet I still drove past the barn again and again, nervous about pulling in to park and take a photograph lest someone—a local cop, perhaps—might think of me as a mischievous trespasser, an interloper to be unceremoniously ejected upon discovery. And the barn’s position at the top of a hill made suddenly slamming on the brakes to turn in to the driveway on a whim an unsafe proposition.
But I plotted and I planned and I hypothesized, and finally one day I stuck my courage to the mast. I decided to throw caution to the wind and finally pull in to the driveway to take a photo or two. With traffic close behind me, I reluctantly drove past, and then turned the car around at the next intersection and returned to park in the shade of a tall tree. I stepped out and snapped a few photos from the base of the ramp that led to the hay mow, cropped one and filtered it through Instagram, and posted it on Facebook. And then I beat a hasty retreat, counting my blessings that the weather and the traffic had cooperated with me.
Not long afterward, my younger daughter came home for a few months after spending time out of the country doing contemporary circus work. She is an artist by nature and by training, and a photographer as well, and so my suggestion that we take a day to just wander the countryside looking for old barns and graveyards to photograph was accepted immediately. I told her about the barn I’d been passing on the way to and from work, and that seemed as good a place as any to start. Plus, I really wanted to go back and explore some more, and a pair of photographers complete with artistic business cards would surely seem less like trespassers than just one person.
The trouble was, I really couldn’t remember exactly where the barn was. Like I said, between the cows and the barns and the trees, much of the landscape often looked…ahem…the same. And so we slowly drove the rural route, keeping our eyes on the east side of the road. The day was a bit grey, and the drive a bit foggy, and I half-wondered if I’d imagined the whole adventure, or whether we’d driven past the barn without noticing it in the mist. I cracked jokes about the barn being “my Brigadoon,” an imaginary place that came to life just the once and then vanished. And then the barn came in to view and we both lit up with smiles.

The place still looked deserted, and so we parked in the driveway and brought out our cameras. We picked our way through weeds and branches, and explored the ruined structure from all sides. My daughter was braver than I, and entered the lower section of the barn where cattle had once been kept. I snapped photos on the floor above, of the open roof and the rafters, and then circled around the base, peering through broken windows and admiring sagging doors and rusted hinges. She found the entrance to the silo and took some spectacular photos looking up from the center. The wind and the weather had stripped nearly all the original paint from the worn boards, but under the shelter of the eaves some vestiges of the original red paint remained.
There seemed something still grand and noble about the failing structure, echoes of work and usefulness, and industry, and productivity. We finally drove off to find other barns and other places to photograph that day, but exploring “my Brigadoon” had been the high point of the day.
I took to planning my drives home to take me past the barn when the light was good, or the change of seasons spawned new configurations of light and shadows. I began to think through my stops based on how much traffic was behind me, and just when I should pull over at an intersection or parking lot to let the following cars pass allowing a little more breathing room and a few more seconds to snap photos from the road shoulder. I shot moody, atmospheric pictures from a distance, looking north in the mornings as the sun rose in the east, but I also knew that the afternoon allowed the best shadows reaching across the barn walls as I stood with my back to the sun.
And then the real estate sign came down and there was evidence that a family had moved in. I saw a dark Suburban parked by the house. Colorful flowers in pots materialized on the front porch. I gave up any thought of pulling into the driveway any more to take pictures, and contented myself with pulling over to the side of the road at the crest of the hill, the car’s hazard lights flashing while I stepped out.
And then the unthinkable happened. As I drove past one day, I noticed that there was more daylight filling the barn. It was engaged in the slow, deliberate process of deconstruction and removal. I felt overtaken by a sense of mourning, a palpable sorrow that this grand ruin that had given me so much joy and so much inspiration would finally cease to exist.
I found myself taking the back roads more and more often, just to catch one more glimpse, or take one more picture, before it disappeared. Day after day I held my breath until I recognized its outline on the horizon at the top of the hill. More than once tremendous winds buffeted our part of Wisconsin, and I dreaded the thought that the next time I drove past, I might see only a wrecked pile of boards and shingles brought down to the ground by nature and gravity.
But the barn remained standing, even as its sides vanished a little more each week. It began to resemble a roof kept aloft on single posts, and I could see clear through the building from all sides as I drove past. My daughter came home again to visit, and once again we made the pilgrimage to “my Brigadoon” with our cameras.

 This time I drove well in to the yard, and knocked at the door of the frame house to ask permission to walk around the barn and take pictures. The young woman who answered explained that she and her family were renting, and that the barn actually belonged to someone else. So basically, we could walk around as much as we wanted with her blessing. She had fallen under the barn’s spell herself already, and had avidly photographed it herself, even replicating the “inside the silo” shot my daughter had taken months before.
It was sunny and cold in the late fall afternoon as we picked our way around the barn inside and out. There were piles of rubble behind the building that had not been there the first time we went exploring, as well as giant branches full of prickers that stuck to our pants if we brushed by them. I took myself out to the surrounding farm fields to get a long shot or two, and then walked up the ramp to what used to be the hay mow but now was just so much empty space. I could see the countryside fall away for miles from where the back wall had once stood. My fingers froze quickly in the breeze when I took my gloves off to work the camera shutter. Eventually the cold drove us back to the car and we returned home.
I know that the end is near, and that one of these days as I drive up the hill the familiar peak of the barn roof will no longer mark the horizon like a cathedral spire. But I am still grateful for the sense of adventure and beauty and wonder that it stirred in me when I finally opened my eyes to register what I had passed, unseeing, for so long.

Farewell, “my Brigadoon.”

Tuesday, September 16, 2014

Live Lit in Chicago!!

It was a dark and stormy night… No wait, it was a lovely sunny autumn afternoon!

It had been quite a while since I’d played in the sandbox of Chicago’s thriving “live lit” scene. Two years, to be exact, since I’d stepped up in front of an audience at a Chicago Writers Conference “after hours” event to read one of my favorite essays, “Mink Recycling.” (And yes, a hand-me-down mink stole and chandelier earrings were involved that night.) But here I was, hurtling along in three lanes of southbound interstate traffic, headed back to my beginnings in the city of the big shoulders.

A lot stands in the way of getting to Chicago to read out loud very often, most of it made up of more than 120 miles of pavement between my home and my home town. And the occasional stretch of horrible winter weather, always a wild card when planning to show up someplace on time.

But the itch to read in front of a crowd again had been creeping up on me, and when the hosts of the “live lit” series That’s All She Wrote, Angela Benander and Jessica “J.H.” Palmer graciously folded me in to their September event, I was tickled pink, totally excited, and absolutely thrilled. Plus, I had a new book to promote, “When the Shoe Fits…Essays of Love, Life and Second Chances,” and it behooved me to get out from behind the keyboard a bit more often.

If you’d asked anybody I went to high school, or college, or law school with, they might die of shock. Public speaking was not only not my long suit, it quite apparently filled me with terror. Difficulty breathing-hyperventilating-unable to get the words to come out without laboring efforts-terror. There’s a reason I’d been so comfortable as a writer for so much of my life—I could hide behind a keyboard and work and rework my words until I got them right, then dispatch them with a keystroke or two to their destinations.

I had striven hard in law school to get this pathological fear and tendency toward panic attacks under control. A courtroom is no place for the faint of heart, and a prosecuting attorney is in court most of the time. I quickly found my comfort zone in the beautiful little Art Deco courthouse I work in on the shore of Lake Michigan. But when the call went out a few years ago at the start-up of the reading series, Essay Fiesta, I sensed another personal challenge was at hand, and dived right in.

Over the next couple of years, I read at several Essays Fiestas held at The Book Cellar, and a couple of “open mic” sessions at The Beauty Bar hosted by the literary magazine, “Two with Water.”

This upcoming night with That’s All She Wrote upped the ante just a little more. Not only had “live lit” expanded into a thriving, competitive scene of occasionally intense physicality and theatricality (e.g. Ian Belknap!) in Chicago…this one was being staged at the upscale Great Lakes Tattoo Parlor on Grand Avenue just west of the Loop. With free beer, no less!
Seriously, you have to admit that the words “live lit” combined with “tattoo” and “free beer” just have a naturally edgier cachet than, say, a bookstore or a bar. Yeah! So into my shoe closet I dived and pulled out my new electric blue suede high heels. Then, like Dorothy skipping down the road in her ruby slippers, I made my way to a section of Grand Avenue I’d never actually traversed while growing up in the city.

I had picked an essay I wrote back when I was still just blogging at Running with Stilettos, before I ever decided to collect my essays into a book…and then two…and then two more. “Cordless and Dangerous” was what I brought to the feast on Sunday, a recounting of my first post-divorce power tool buy, a cordless drill.

On the surface, it told the tale of how I wrestled with fixing a broken pasture fence by myself one day and the series of comic missteps and lessons learned the hard way until the job was done. But it was also about that moment that a divorced woman eventually faces, when there is a crisis at hand that requires a tool kit, and literally no one else to call to fix it, and the only thing left to do is to take up the gauntlet, walk into a hardware store and say—in essence—“rack ’em.”

It is the distance between considering your only tools to be baking pans and mixing bowls, and understanding the difference between a flat-head and a Phillips screwdriver. Between throwing your hands up in despair and wailing “oh no, what am I going to do?” and asking yourself “now where did I put that d—n hex wrench?”

So up to the microphone I stepped, and explained. About myself and the fact I was happy to be back in my home town again. About this particular essay and the emotional journey it represented. And about yet one more thing I valued about the storytelling surge in Chicago.

And that is that as person after person takes their place at center stage, I am drawn back to the same vibes I felt as a parent of young children in grade school. I’ve raised four kids, and so have spent more hours than I can possibly remember sitting in churches, and school auditoriums, and gymnasiums, waiting for recitals, and Christmas programs, and spring concerts, and any number of choreographed performances to start.

And as the lights would dim for the audience and the program of the night was about to start, I remember there would be a collective hush of anticipation and a leaning in, a clutching of the heart as it were, as a tide of good feelings and hope flowed silently toward the stage. Call me a sentimental fool, but that’s some of the same stuff I feel at an event where writers are “reading out loud.”

I was amazed and humbled by the talent and humor and passion of my fellow performers that night!

Angela Benander told of the personal challenges of a solo camping trip, only some of which had to do with the physical tasks of pitching a tent or starting a fire.
Jessica Palmer brought us along on a tenth wedding anniversary trip where she introduced her very urban husband to a former boyfriend and current organic farmer.
Paul Dailing, a journalist who writes the blog 1001 Chicago Afternoons, did a searing stream-of-consciousness journey to the grinding realities of “bond court” in the Cook County criminal justice system.
Karen Genelly, a former Chicago Public School teacher, had us screaming in our seats with laughter at her narrative of teaching “sex ed” every day for six weeks to middle-schoolers.
And in a gosh-its-a-small-world connection, the last performer was Karen Shimmin, who currently co-hosts Essay Fiesta! Karen started us off with laughter at the comic side of setting out to buy a camera lens from a talkative shopkeeper, but then seamlessly segued into a moving reflection on the randomness of horrific events that can happen when natural forces such as gravity and falling ice collide with the man-made forests of skyscrapers.
In yet another “six degrees of separation” moment for me that night, I met Chicago storyteller Lily Be, who co-hosts and produces the story-telling series The Stoop. Turns out Lily goes to the same Catholic church, Maternity B.V.M. on North Avenue, where I made my First Communion and attended all eight years of grade school. Who knew?
I felt my brain synapses absolutely crackling as I finally left Great Lakes Tattoo when the evening was done. Once in my car, I checked my smart phone for a map of how to get back on the Kennedy Expressway from my parking space on a side street, but could make no sense of it.

But…no worries. As a Chicago girl, I am as oriented to the zero-sum significance of the intersection of State and Madison as a homing pigeon, and so I headed eastward, the opposite direction of home and directly toward the Loop. The skyscrapers that had gleamed warmly in the setting sun as I drove in now glittered in the dark like rhinestones in moonlight, a lighthouse beacon of vast and familiar proportions.

Instinct steered me like the North Star to a marker I recognized. Two left turns later, I was on the highway ramp at Ontario, hurtling toward the Kennedy Expressway, delighted to find that the northbound “express” lanes were open in my favor at that late hour.

I gunned my tiny Honda into the express lane, whose steep no-margin-for-error concrete sides felt like the entrance to an Olympic toboggan chute. And then, with the twinkling lights of the Chicago skyline dimming in my rear view mirror, I drove back home to my house in the woods.

Monday, September 8, 2014

"Tagged" in a BLOG TOUR!!

At this age—let’s just say “over thirty”—you don’t get too many invitations to play a game of “tag.” You remember those! Running across summer lawns and darting around trees and bushes, trying to outrun your buddies to get to the “free” zone before someone caught you and then you were IT. But being invited to join a virtual “blog tour” has been just as much fun for this grown-up author…and didn't even require breaking a sweat! That’s what happened recently, just in time to promote my new book, When the Shoe Fits…Essays of Love, Life and Second Chances. This would be my “best of” collection of essays from my first three books, and includes riffs on turbo-dating, power tools, shoes, motherhood, and the view from the back of a Harley. I got “tagged” for the tour by author Catherine Fitzpatrick, author of Going on Nine, a YA novel that’s a “coming of age” story set in St. Louis in 1956.
While Catherine and I haven’t met YET, the wonderful thing about the world wide web is how you can get to know folks anyway. I’d describe Catherine as a “dame,” in the sense that Lauren Bacall was a “dame”—accomplished, incredibly smart, talented and FUNNY! As a kick-ass journalist, Catherine was in Manhattan to cover New York Fashion Week for Wisconsin’s largest newspaper on September 11, 2001. At first word of the terrorist attacks, she rushed to Ground Zero and filed award-winning eyewitness reports. A front page of the newspaper edition containing one of her 9/11 dispatches is among those memorialized in Washington D.C.’s Newseum. Now she writes fiction, and she and her husband will be exiting the Midwest soon for a new life in Florida.

THANK YOU CATHERINE for inviting me into this tour! 


NOW THE BLOG TOUR AUTHOR QUESTIONS...

“What am I working on”—several things at once! But at this exact moment, I’m under the gun in the next two weeks to create an exhibit catalog for “Resting Places,” a joint art show between moi and artist Erico Ortiz that opens October 4, 2014 at Inspiration Studios in West Allis, Wisconsin near Milwaukee. I’ve developed a minor obsession with taking photographs in small rural cemeteries, and the show will feature twenty-one of my graveyard photos matched up with Erico’s abstract and impressionistic paintings inspired by nature.

After that, I’ll pick up where I left off in writing (1) a YA novel that contains NO vampires, werewolves, mermaids or dystopian societies, (2) a first-in-a-series suspense novel featuring a female prosecuting attorney (go figure!), and (3) a children’s book revolving around a kitten and…oh, I need to keep some things secret!

“How does my work differ from others in its genre?” Well, the genre for all my books up to now would be considered a mashup of slice-of-life essays and memoir. Some are about the happy stuff, others about the heartaches, and all are about what we take away from those things. I can’t remember who he was quoting when I interviewed him many years ago, but Bill Moyers told me that we all look at the world through the lens of our own experience. So while I often say that I write about things that are common experiences—joy, love, motherhood, divorce, reinvention, death, chocolate and shoes—it’s MY cracked lens you’re seeing them through! I've been compared to Erma Bombeck, Ernest Hemingway, and Carrie Bradshaw from "Sex and the City." Go figure! I'm still trying to figure out the Hemingway thing...

But one thing…there are many extremely gifted writers who peel everything back to the bone when they’re writing their memoirs, and lay bare a lot of ugly and painfull stuff. I tend to focus more on the positives, or at least to draw a forgiving screen across some of the worst. I don't want my readers to wince. Though once in a while they may want to grab a hankie...

“Why do I write what I do?” That’s an interesting question! I have often joked that with these essay collections, I was an “accidental author.” My life as a professional writer started when I was about 21 and began writing for the Milwaukee Sentinel daily newspaper as a stringer. Then I worked for the larger Milwaukee Journal on staff for a while, and turned to freelance magazine when I started a family. Then, years later, the horseback riding accident that broke my back and put me in a body cast for a while turned me toward law school and I thought writing was behind me.

Then the writing itch came back a few years later, and I started working on that novel about the female prosecutor. I got about eight chapters written, but then kept getting interrupted by serial family emergencies, some of which were taking me out of town on a regular basis. The novel got set aside, naturally. But some friends dragged/pushed/pulled me into starting my “Running with Stilettos” blog. I found I could sit and write short stuff, and it kept the top of my head from flying off.  I’m keeping my fingers crossed that the emergencies are behind me and I can once again pick up a project that requires a long-running train of thought!

“How does my writing process work?” Ha ha ha ha…catch as catch can!! When the kids (who are now all grown up and out of the nest) were small, I would write when they were napping. Or,  if I was really cramming for a deadline, I’d get up at four in the morning to finish a project. Waiting for inspiration to strike while an editor somewhere was tapping her foot on the floor was never a luxury I could afford. Now, years later, I still feel like I’m fitting it in around the edges of everything else—work, commute, pets, yard work, connecting with my children. BUT…if something has to come out, sometimes I’ll just drop everything and write notes on anything that’s within reach. Like the back of a manila envelope in the car. Or  the “notes” section of my iPhone. And I get a lot of inspiration from nature, which I get a slow-motion tour of every day while I’m walking Lucky and The Meatball in the woods.

And NOW, to pass the torch to three other accomplished writers who I am privileged to know and recommend! First at bat…
  




Angela Lam Turpin, a self-described “California girl” who spends her days
working in real estate and finance and the hours before dawn writing literary short stories,
paranormal romance, crime thrillers, and effervescent women's fiction better known as chick-lit. Her short stories explore the depths of human emotion from hope to despair, and the heroines in her novels fight the challenges of their lives with pluck and courage.  (The literary apples don’t fall far from the tree, since Angela is one of the most resilient people I know!) She is best known for her wry humor, realistic plots, and engaging characters. Her latest book is The Human Act and Other Stories, a collection of short stories that explore sexual identity, poverty, romantic love, parenthood, eating disorders, infidelity, and family relationships, effortlessly carrying the reader from the inner city to suburbia.
 



Next up,  David W. Berner, a Chicago-area college professor and broadcaster who I first encountered when we were both reading essays to a crowd at The Beauty Bar on
Chicago’s near North side on a Sunday night. David’s first book, "Accidental Lessons," is a memoir drawn from his mid-life decision to spend a challenging year as a public school teacher with kids would could politely be called “at risk” and the profound lessons he drew from it. His most recent book, Any Road Will Take You There: A Journey of Fathers and Sons, is drawn from his 5,000 mile road trip with his teenaged sons as they retrace Jack Kerouac’s “On the Road” adventures.  I’ve always been a big fan of time spent in a car with my own children, and the emotional tributaries that reveal themselves when the rubber meets the road.
   



And finally, there’s Holly Sullivan McClure, who I first met in the enchanted environs of St. Simons Island, Georgia several years ago when I attended my first Scribblers Retreat Writers' Conference as a guest speaker. Holly could be the dictionary definition of “eclectic,” inasmuch as she is an author, a story-teller, a literary agent, a writing coach,
and an ordained priest in the Celtic Christian Church! Raised by storytellers, preachers, and bluegrass musicians, she is a child of the Smoky Mountains with a Cherokee mom and a father whose people came from the Scottish Highlands, Holly draws on her heritage for inspiration. In her latest book, The Vessel of Scion, warrior priests

protect an ancient blood line from an enemy determined to eradicate it from the world. Faith and reality collide as final prophecies come to pass, and two children hold the key to whether good or evil will win out.

Now Angela, David and Holly, officially you guys are “IT”!


Friday, August 1, 2014

When the Shoe Fits... is LIVE!

 
 When the Shoe Fits...Essays of Love, Life and Second Chances  is now LIVE in the Amazon store, with some lovely reviews and a Discussion Guide for book clubs in the back of the book.
 
So CLICK HERE  to take a look, read a preview, post a review if you've already read an advance copy, and generally just check out this "best of" collection essays, which pulls essays from my earlier three books and adds some new ones, including "The Limoncello Diaries" and "A Hoarder's Revenge."
 
Sláinte!!

Tuesday, April 22, 2014

Resting Places

I have become utterly enchanted with the art, and the silence, and the poignance of old graves in cemeteries. Whether ornate and well-traveled, or plain and forgotten, off the beaten path on two-lane country roads and beside steepled churches in small towns, these stone markers stand as testaments to the fact that we want to be remembered, and that we mattered, and that we were, above all, loved...

 
 
 
 
 
 
 
 
 
 
 



Monday, April 14, 2014

When the Shoe Fits...

Coming soon!! (okay, in late summer...)


Available on AMAZON in Kindle and paperback format on AUGUST 1, 2014!

This "best of" collection of my favorite essays includes the award-winning "Wildflower Seeds and Beer," "May it Please the Court," "Love in the Time of Cupcakes," and "Mink Recycling." And it wouldn't possibly be complete without reader favorites "Turbo Dating--A Year in Review," "Home Fires Burning" and "The Devil on Horseback"!

Perfect for gift-giving, AND the book also includes a back-of-the-book DISCUSSION GUIDE for book clubs. $18.95 U.S. paperback, $7.95 U.S. Kindle.

***Contact the author at runwstilettos (at) yahoo (dot) com for an electronic Advance Review Copy.